Recently, famend Pakistani singer Abrar-ul-Haq said that Atif Aslam and Rahat Fateh Ali Khans recognition began out declining after their Bollywood lifeline turned into reduce off, attributing this to a loss of accurate composers and writers in Pakistan. His announcement increases crucial questions on the contemporary kingdom of Pakistans tune enterprise: Is the enterprise really struggling because of a loss of innovative expertise, or are there deeper structural problems at play?
Atif Aslam and Rahat Fateh Ali Khan received global repute via their Bollywood songs, which reached hundreds of thousands worldwide. After regulations had been imposed on Pakistani artists in India, they misplaced get admission to to the huge Bollywood platform that amplified their tune on a worldwide scale.
However, does this suggest that their decline turned into completely because of the absence of nice composers and lyricists in Pakistan? Not necessarily. The united states of america nevertheless boasts numerous proficient musicians, which include Bilal Maqsood, Shiraz Uppal, Xulfi, Shahi Hasan, and Saad Sultan, who keep to provide nice tune.
The decline of Pakistani tune can’t be attributed completely to a loss of expertise. One of the largest demanding situations is the absence of a dependent and thriving tune enterprise. Unlike Bollywood, which integrates tune deeply into its huge movie enterprise, Pakistan has struggled with an inconsistent movie sector, proscribing possibilities for nearby tune to advantage mainstream traction.
Moreover, the target target market itself performs a role. Many Pakistani listeners have grown acquainted with Bollywood`s tune, frequently prioritizing it over nearby productions. Even with the upward push of streaming systems and social media, Pakistani musicians have now no longer been capable of obtain the equal stage of worldwide attain that Bollywood artists experience because of enterprise dynamics and advertising and marketing limitations.
Claiming that Pakistan lacks accurate composers and lyricists oversimplifies the trouble. Platforms like Coke Studio have time and again showcased the monstrous musical expertise gift withinside the united states of america, proving that creativity isn’t the problem. The actual trouble lies withinside the absence of a strong tune enterprise which could assist artists financially and logistically, letting them flourish on a bigger scale.
For Pakistani tune to regain its former glory, there desires to be a collective attempt from the government, personal corporations, and audiences. Investment in tune production, advertising and marketing, and stay performances can assist create a sustainable surroundings in which artists don`t need to rely upon outside systems like Bollywood for survival.
Thus, whilst Abrar-ul-Haqs announcement holds a few reality in phrases of Bollywoods effect on Pakistani artists` worldwide attain, the actual trouble isn’t a loss of expertise—it’s miles the shortage of a robust and prepared tune enterprise in Pakistan. If addressed properly, Pakistani tune has the capability to all over again shine on the worldwide stage.
